Friday, September 26, 2014

Car Fuel Efficiency Enhancer Circuit

The presented fuel efficiency enhancer circuit can be installed in your car dashboard and used for visualizing the optimal engine speed  while driving, this will ensure that your car is never exceeds the higher or the lower inefficient regions of the specified engine speeds of your vehicle.

To augment the visual indication of the flashing red LEDs when the engine speed becomes too high, a tone generator (not exactly stereo hi—fi) has been provided. The generator is switched on and off in time with the red LEDs. Diode D6 applies the high level at the output of A4 to frequency·determining network R19/Fl20/C10. A 555 timer, lC3, connected as a rectangular-pulse oscillator generates an audio signal. As the output (pin 3) of IC3 is logic high during nonoperation, capacitor C11 has been connected in series with the loudspeaker: otherwise a constant direct current would flow through R21 and the loudspeaker. Resistor R21 limits the pulsating current during operation of the alarm. This shows yet another unwelcome aspect of the 555: it reacts to a low logic level at its input (pin 2) but not to a trailing edge, which in some cases would be very useful. As long as the voltage at pin 2 is smaller than 0.7 L the output of IC3 (pin 3) remains logic HIGH! This is something to bear in mind if ever you have difficulties with one of your own designs based on the 555

 The basic setting (that of P1) has already been discussed: it is valid for most family cars with a maximum safe engine speed of around 6000 rev/min. Next, you need some information from your cars workshop manual. lf you have no copy of this, you should be able to get the information from the supplier or manufacturer.

What you need to know regarding this car fuel efficiency enhancer circuit is : a) maximum engine speed, Nmax rev/min; this value should never be exceeded to prevent possible serious damage to the engine; if you want to be kind to the engine, take the maximum rev/min for the present purpose at a somewhat lower value than that stated by the manufacturer; b) limits of the economic range, N] and N2 (see figure 47), of engine speed; depending upon the type of engine, these limits lie usually at 90. . .95 per cent of maximum moment. Here you have to be a little careful: when this range is kept too narrow (particularly with small engines), it will be difficult to drive within these limits. On the other hand, when it is too wide, you can hardly talk of an optimum range any more. If you have any doubts about all this, have a quiet word with the foreman or manager of your regular service station about where he thinks these limits lie.

Our sample engine had the following limits: N1 = 3000 rev/min; N2 : 4000 rev/min; Nmax : 5800 rev/min. c) the engine speed for a contact breaker frequency of 100 Hz. You may actually calculate this easily when you know how many cylinders your engine has and whether it is a four-stroke or a two-stroke type. If is the frequency of the contact breaker in Hz, N is the engine speed in rev/min, and Z is the number of cylinders, f = NZ/120 (four—stroke), orf = NZ/60 (two-stroke) Everything is now ready for the calibration. The setting of P2 (5 V at MP2) is the yardstick for all further settings: 5 V at l/IP2 correspond to Nmax = 5800 rev/min (set with P2); N1/Nmax 5 V = 3.1 V correspond to N1 = 3000 rev/min (set with P4); N2/Nmax 5 V = 3.8 V correspond to N2 = 4000 rev/min (set with P3). Calibration of the rev counter (strictly, frequency/voltage converter) has already been carried out with the 100 Hz generator.

Capacitor C2 should only be adapted to your vehicle if the engine (four cylinder and four-stroke) has a maximum speed of much higher than 6000 rev/min. The correct value for C2 is calculated from: C2n€W = 200/fmax x 68 nF = 6000 x 68/Nmax x Z nF Fitting the car fuel efficiency enhancer unit in the car is relatively simple. Plug PL1 must be connected be/7/hd the ignition switch so that the unit is only switched on when the ignition is on. Plug PL3 must be connected to a good earth/hg po/ht (=car body = negative terminal of battery). Plug PL2 must be connected to the contact breaker (take off at the ignition coil) with a screened cable. The screen of this cable must on/y be connected to earth in the economy indicator unit.

All cables should be fixed securely to prevent movement and away from moving or hot parts. As it may be that the value of R2 has to be adapted to your car, one of the LEDs may light momentarily totally independently from engine speed. This slight malfunction is soon put right by reducing the value of R2 in steps (minimum value 4k7). lf a rev counter is fitted in the car, you can readily check (and, if necessary, correct) the setting of P1. This can, of course, also be done at your local service station with a test rev counter.

 lt’s up to you now to recover the cost of the economy indicator from improved petrol consumption, but, of course, the indicator cannot tell you whether your tyre pressures are correct, whether the engine timing is right, whether the carburettor is adjusted properly, and so on. And, need it be said, racing-type move offs from traffic lights, and screeching to a halt at the next set do not improve your consumption figures. You will soon get used to driving with an eye on your economy indicator and discover that you normally travel just as quickly economically as with those fast get·aways. The often heard remark that economy drivers are traffic obstacles is, you will find, totally unfounded.

lf your car has no space where you can mount the indicator in good view, get a small plastic case and just mount the LEDs in this. This little unit can then be mounted in the instrument panel and connected to the main unit (which is mounted anywhere there is space) by a suitable multi core cable. A tip. It is possible to fit two units (for instance, the economy indicator and the choke alarm) into one case for a very economical package. The two boards are kept separate by suitable spacers.  
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Action Activated Flash Light Circuit

Very fast acoustic electronic flash releases as used by professional photographers and in quick motion film apparatus for action filming are  beyond the means of most amateur photographers.
Simpler acoustic releases are normally not fast enough: a picture of a burst balloon is not very interesting; one of a burst balloon is! lf you want to film events which happen in a split second and which make a sound at the same time, the circuit described is just right for you. To make possible the filming of events which are over before the sound reaches the camera, we have designed a simple light barrier through which, for instance, a drop of water can be made to fall (see below). The level ( at which the electronic flash fires is then preset by either·Pl. (acoustical) or P2 (light barrier). The output is connected to  the timing input of the electronic flash unit. The power supply is no problem: as the current consumption of the circuit is only about 30 mA, a 9 V battery will last quite a time. First a few words about the circuit. IC1, an audio amplifier lC, is used as microphone amplifier with a maximum amplification of 200. IC2 is used here as a monostable multivibrator. lf a pulse caused by a noise input arrives at pin 2 of IC2, it triggers the multivibrator. The output of the multivibrator (at pin 3) triggers thyristor Th1 which in turn triggers the. thyristor in the electronic flash unit. Where the light barrier is used,the part of the circuit to the left of terminals 1   


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Headphone Loudness Controller Circuit

Many modern high quality amplifiers have loudness controls built in. In most instances they are manually switched into circuit when required  in a few amplifiers the circuit is switched in at all times.
Nevertheless there are innumerable older or present-day low-priced amplifiers that are not fitted with loudness compensation - and it is for units such as these that this simple project has been designed. The device shown is for a mono amplifier two are required for stereo amplifiers. lt can be very simply assembled on tag strips or matrix board, and, when completed connected between your preamplifier and main amplifier. lf yours is an integrated unit it should be readily possible to break into the volume control circuit just connect the unit in series with the slider terminal of the potentiometer. Screened leads may be necessary of long lengths are required.  We would like to emphasize that this is a c0mpr0mise circuit. Ideally a loudness control must be designed specifically to suit the amplifier for which it is intended. Also the degree of Loudness compensation should be related to the volume control setting. This latter requirement involves replacing the existing volume control by a suitably tapped potentiometer a device that is not readily available  "off the shelf" - so the circuit shown here introduces a fixed amount or compensation that is adequate for moderate listening levels. This circuit will suit most amplifiers quite well ·- and in any case can be adjusted by minor variation of component values if required. `Switch SW1 should be a double·p0le double-throw type if stereo operation is required. 


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Thursday, September 25, 2014

Accurate Analogue Frequency Meter Circuit

To measure frequency one does not  immediately have to ‘go digital’. The analogue approach will invariably prove simpler and cheaper, in particular when  the analogue readout (the multimeter)  is already to hand. All that is needed is n a plug-in device, a ‘trans1ator’, that will give the meter an input it can ‘under stand’.
This design is based upon an  integrated frequency-to-voltage con verter, the Raytheon 4151. The device a is actually described as a voltage-t0 frequency converter; but it becomes  clear from the application notes that  there is more to it than just that. The  linearity of the converter IC is about 1%, so.that areasonably good mul timeter will enable quite accurate b frequency measurements to be made. ·Because the 4151 is a little fussy about tithe waveform and amplitude of its input signal, the input stage of this design is a limiter-amplifier (compara tor). This stage will process a signal of any shape, that has an amplitude of at least 50 mV, into a form suitable for  feeding to the 4151. The input of this stage is protected (by diodes) against voltages up to 400 V p-p. The drive to the multimeter is provided by a ·short circuit-proof unity-gain amplifier.


The circuit

Figure1 gives the complete circuit of I the frequency plug-in. The input is safe for 400 V p-p AC inputs only when the DC blocking capacitor is suitably rated. The diodes prevent excessive drive volt ages from reaching the input of the comparator IC1. The inputs of this IC are biased to half the supply voltage by the divider R3/R4. The bias current flowing in R2 will cause the output of ICI to saturate in the negative direction. An input signal of sufficient amplitude to overcome this offset will cause the output to change state, the actual switchover being speeded up by the positive feedback through C3. On the opposite excursion of the inputsignal the comparator will switch back again, so that a large rectangularwave will be fed to the 4151 input.  The 4151 will now deliver a DC output voltage corresponding to the frequency of the input signal. The relationship  between voltage and frequency is given by:

U/f = R9.R11.C5/0.486(R10+p1) V/Hz

The circuit values have been chosen to give 1V per kHz. This means that a 10 volt f.s.d. will correspond to 10 kHz. Meters with a different full scale deflec tion, for example 6 volts, can, however,  also be used. There are two possibilities:   either one uses the existing scale cali brations to read off frequencies to 6 kHz, or one sets P1 to achieve a 6 volt  output (i.e. full scale in our example)  when the frequency is 10 kHz. The  latter choice of course implies that every reading will require a little mental gymnastics! With some meters it may be necessary to modify the values of P1 and/or R10; the value of R10 + P1 must however always be greater than 500E · The output is buffered by another 3130  (IC3). The circuit is an accurate voltage follower, so that low frequencies can be more easily read off (without loss of accuracy) by setting the multimeter to a lower range (e.g. 1 V f.s.d.).·The out put is protected against short-circuiting by R12. To eliminate the error that would otherwise occur due to the volt age drop in this resistor, the voltage follower feedback is taken from behind R12; To enable the full 10 volt output to be obtained in spite of the drop in R12 (that has to be compensated by the IC) the meter used should have an  internal. resistance of at least 5 kohm). This implies a nominal sensitivity of   500 ohm/volt on the 10 volt range. There » surely cannot be many meters with a sensitivity lower than that. If one has a separate moving coil milliameter available, it can be fitted with a series resistor that makes its intemal resistance up to the value required of a voltmeter giving f.s.d. · at 10 volt input. This alternative makes the frequency meter independent of the multimeter, so that it can bedused to monitor the output of a generator that for some reason may  have a dubious scale- or knob-cali bration.


  Construction

 No trouble is to be anticipated if the    circuit is built up using the PC board layout given in figure 2. Bear in imind that the human body will not necess arily survive contact with input voltages that may not damage the adequately rated input blocking capacitor. If one contemplates measuring the frequency of such high voltages the circuit should be assembled in a well-insulated box! The power supply does not need to be regulated, so it can be kept very simple. A transformator secondary of 12 volts, a bridge rectifier and a 470 uF/25 V reservoir electrolytic will do the job nicely. Although a circuit that draws 25 mA is not too well suited to battery supply,one may need or wish to do this. In this case the battery should be bridged by a low-leakage (e.g. tantalum) 10uF/25 V capacitor to provide a low AC source impedance.

Calibration

The calibration can really only be done with an accurate generator. 10 kHz signal is fed to the input and Pl is set to bring the multimeter to full scale deflection (e.g. 10 V). That com n pletes the calibration  although it is vwise to check that the circuit is oper ating correctly by using lower input frequencies and observing whether the meter reading is also (proportionately) lower.




A few specifications:

frequency range: 10 Hz . . .10 kHz
input impedance: > 560 k
sensitivity: 50 mV p-p
max input voltage: 400 V peak
minimum load on output: 5 k (if 10 V out required)
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True RMS Converter Circuit

An absolute value circuit, using the CA313O is shown. During positive excursions, the input signal is fed through the feedback network directly to the output.
Simultaneously, the positive excursion of the input signal also drives the output terminal (No. 6) of the inverting amplifier negative such that the 1N914 diode effectively disconnects the amplifier from the signal path. During the negative going excursion of the input signal, the CA313O functions as a normal inverting amplifier with a gain equal to R2/R1. When the equality of the two equations shown is satisfied, the full-wave output is symmetrical. 

Peak-detector circuits are easily implemented with the CA3130, as illust- rated. lt should be noted that with large-signal inputs, the bandwidth of the peak-negative circuit is much less than that of the peak-positive circuit. The second stage of the CA313O limits the bandwidth in this case. 


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Digital Voltmeter and Ammeter Circuit Module

  1. This V/I display module is eminently suitable for building into an existing DC power supply, where it gives a precise indication of the set voltage or the current consumption of the load.
  1. In the voltage range, the decimal point lights on LD3, and the resolution is therefore 100 mV Two current ranges are possible: 0-9.99 A (link a) or 0-0.999 (.999) A (link b).
  2. The 3-digit readout is based on A/D converter Type CA3l62 and BCD-to-7 segment decoder Type CA3l6l, both from RCA.
  3. The resulting small negative deviation in the volt- age range is compensated by P2.
  4. These points should be adjusted in the above order. Two presets, P1 and P3, are required to ensure correct nulling of the module. P1 compensates for the quiescent current consumption of the regulator circuit in the supply.
  5. When voltage measurement is selected, P4-R1 attenuates the input voltage by a factor 100. Also, point D is pulled low so that the decimal point on the LS display, and the
  6. The current sensing resistor is therefore either 0Rl or lR0. It is important that Rs does not affect the output volt- age of the supply in question.
  7. When current measurement is selected, the drop across the sensing resistor is applied direct to the HI-LO inputs of DAC IC1.
  8. The sensing resistor has such a low value as to render the voltage divider ineffective. There are four adjustment points in the module: P1: current range nulling; P2: full-scale current calibration; P3: voltage range nulling; P4: full-scale voltage calibration.
  9. The V/I display module is conveniently fed from the unregulated voltage available in the supply (max. 35 V) see points E and F in Fig. 2; bridge rectifier B1 may then be omitted.
  10. It must, therefore, be fitted ahead of the voltage divider that controls the output voltage. DPDT switch S1 selects between l voltage and current readings.

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Wednesday, September 24, 2014

Digital Logic Tester Probe Circuit

This is not our first high and low tester, but the present circuit offers something new: a seven-segment display which shows ’H’ or ’L’ and at the same time a small loudspeaker , emits a corresponding tone.
And all that at very reasonable cost. When the supply is switched on, the decimal point of the display lights and indicates that the unit is ready i for use. If this is not the case, 0r an undefined signal is applied to the input, the display, apart from the decimal point, remains dark and the loudspeaker remains silent. If the input signal is logic 0, the display shows ’L and the loudspeaker emits a low note. When the input signal is logic 1, the display shows H’ and the loudspeaker emits a note which is an octave higher than the low tone. Operation of the circuit can be seen from the circuit diagram in figure 1 and the truth table in figure 2. When the input signal is 1, transistor T1 conducts taking the input of gate N2 above the trigger threshold and the trigger output goes to logic O. Transistor T2 (PNP!) is cut off, the input of gate N1 is also above the trigger threshold and this trigger output is therefore also logic 0. Both switching transistors T3 and T4 are off and a current flows through the corresponding segments (b, c, e, f, g), diodes D4 and D5 and R7. When the input signal is logic O, T1 is cut off and T2 conducts. The voltage at the inputs of gates N1 and N2 are below the trigger threshold and both outputs are logic 1, switching on transistors T3 and T4; the emitter voltage of T4 rises and cuts off diodes D4 and D5. This causes a current to flow through segments d, e and f, diodes D2 and D3, resistor R6 and transistor T3. With non—defined inputs (between 0.8.. . 2.15 V) and an open circuit input, both input transistors are cut off. The output of N1 is then logic O and that of N2 is logic 1: no current can therefore flow through any of the segments. As regards the drive for the two oscillators, suffice it to say that during low inputs N3 is driven by the output of N1 and during high in- puts N4 is driven directly by T1. lf required, the loudspeaker can be switched on by means of S1. The switch can, of course, be omitted_if the audio tone is always required. If you have an ear for music, R10 and R12 may be replaced by a 220 Q. resistor and a 250 SZ preset potentiometer so that the tone can be adjusted to your particular liking.!



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How to Make a Simple Inverter Circuit at Home

The 60 Hz inverter shown below is about as simple to make and as inexpensive as one could desire. Yes, it is capable of providing some very useful services. Operating from an automobile battery, it can supply 50 W for the operation of such devices as an ac-dc radio, electric shaver, fluorescent lamp, small soldering iron, 40 W incandescent lamp, recorder, or portable phonograph. Its essential ingredients are a filament transformer and two general-purpose germanium power transistors.

Although this is a saturable-core oscillator, no separate feedback windings are employed. Rather, feedback is produced by cross-coupled connections in the manner of a multivibrator. At a full load, the efficiency is in the vicinity of 75 percent, and the output voltage is about 106 V.

The "mild" pi-section filter despikes the output waveform and causes a trapezoid wave, rather than the usual square wave, to be available at the output. This makes the device more suitable for the operation of radios, recorders, and other electronic equipment.

In this type of circuit, the efficiency, frequency, output voltage, and starting ability are interdependent to a marked degree. Accordingly, some experimentation with the biasing resistances may prove profitable.

It is likely, however, that only one of them, such as R1, might have to be modified. Insofar as possible, the biasing networks for the two transistors should be approximately balanced.

Otherwise, an unsymmetrical waveform, unequal transistor dissipation, and other malfunctions.can result.

Simple Inverter Circuit Diagram:



The wiring details for the above circuit may be understood with the help of the following diagram:



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Active Bass Enhancer with Correction Circuit for Subwoofers

Active loudspeakers offer the only way f obtaining good bass reproduction from inexpensive or small enclosures.
The design described does not make use, therefore, of large, heavy enclosures to obtaion a good result, but of acoustic feedback. A microphone placed in close proximity of the bass drive unit unfailingly registers every movement of the loud-speaker. It is, of course, important that proper attention is paid to the maximum movement of the speaker.

The microphone output is coupled . into the negative feedback loop ofthe output amplifier. In this way, the input sig- nal to the amplifier is compared with the acoustic signal produced by the speaker. In practice, this arrangement appears to work well only with low-frequency signals. Experiments have shown that if  the microphone is placed about 10 mm from the cone of the woofer, signals at e frequencies of up to 500 Hz are fed back faithfully.

To make absolutely certain of  correct operation, in the present circuit the upper frequency has been set to 300 Hz; above it, the correcting action gradually ceases. Note, however, that the phase behaviour of the loudspeaker is corrected also for signals above 300 Hz. lf the change-over frequency ofthe cross- over filter ofthe loudspeaker lies at 300 Hz, it is advisable to make the cut-off frequency ofthe present circuit, determined by R6-C8, lower than 300 Hz. The gain of lC2 over the operating range of the circuit is 20 dB, which reduces to 0 dB for frequencies above 300 Hz. This amplifier, which provides the correction up to the cut~off point, also serves  as buffer for the microphone signal.

Preset Pl serves to set the signal level on the basis of the power rating of the n outpu amplifier and the efficiency of the microphone. lf this control is set too high, corection is also applied to frequencies above the cut-off point; if it is set too low, little correction will be applied and signals between 20 Hz and 300 Hz will increase along a standard lst order characteristic. The choice of microphone is a matter of some experimentation, particularly with high-power amplifiers.

That used in the proposed subwoofer bass enhancer prototype proved to work well with low-power systems with a relatively low efficiency. If another type is used, make sure that the potential across the microphone is about half the supply voltage. This is arranged by R8 and R9. Also make sure that the cut-off point set by P1-C9 remains well below 20 Hz (no signal at P1 results in an increase of the final amplification). The frequency up to which the microphone signal is compensated is determined by R8-P1-Cm.

 This time-constant must be equal to R6-C8. The present circuit can magnify frequencies down to 20 Hz by roughly 20 dB. Since most loudspeakers cannot cope with that frequency, the circuit includes a 3rd order Butterworth section with a cut-off point of 37 Hz.

This frequency may be altered by changing the values of C1, C2, and C3. This filter prevents the loud-speaker being loaded with signals which it cannot reproduce. The bass correction circuit is of particular use with active loud speaker systems.M2 makes sure that the loudspeaker phase is sh ifted by l80° to prevent positive feedback. This may be done by adding an inverter-buffer before K2. The circuit draws about t5 mA, of which only 0.25 mA is drawn by the microphone.


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Tuesday, September 23, 2014

Stereophonic Radio Receiver TDA7088T

Stereophonic radio broadcast is performed in the ultra short waveband, from 88 MHz till 108 MHz. All radio transmitters operating in this range are stereophonic, but their signal is designed so that monophonic receivers can also read it, performing the compatibility. The readers that wish to get acquainted in more details with the stereophonic broadcast basics can refer to the “Radio Receivers” textbook, for the IV grade of the Electrotechnical Highschool.

Making an introduction to this part, a operating principle of the stereophonic radio receiver shall be considered, its block diagram shown on pic.4.18. Comparing this diagram with the one of the monophonic receiver given on pic.4.6, one may notice that they are identical, up to the block called "The Decoder". It means that, as already described, exiting the FM detector the LF signal is obtained, i.e. the information that was used to perform the frequency modulation in the transmitter. However, this is not an ordinary LF signal, but the one, called the "composed" (KS) or "multiplexed" (Mpx) signal. Besides the full-scale LF signal used by the monophonic receiver, it also contains the so-called auxiliary signal which allows the separation of left (L) and right (R) channels in the stereophonic receiver. E.g. if a direct broadcast of some band music is performed, the left part of performers is being recorded with one microphone (the signal marked as L), whilst the right side is recorded with the other one (it’s a R signal). These two signals are being led in the FM transmitter in the stage called “the coder”. Exiting the coder we have the multiplexed signal Mpx which contains, in an indirect manner, both left (L) and right (R) signal. Frequency modulation of the transmitter is being performed with the Mpx signal. In the receiver, Mpx signal is obtained on the output of the FM Detector and is then led to the decoder. This stage plays a role complementary to the one of the coder in the transmitter, therefore two signals are exiting it, the L and D signal. They are being amplified over two identical audio amplifiers, then reproduced over two same loudspeakers. The listener can now hear the left half of the performers from the loudspeaker placed on its left, and the right half from the loudspeaker that is placed on its right. The performers that are situated in the middle of the orchestra are being equally reproduced from both loudspeakers, making an impression to the listener as if there’s a third loudspeaker, located in the middle, between the left and right one. Based on all this, the listener has a picture about the layout of the performers in space, which significantly improves the total musical impression.
Electronic circuit of a portable stereophonic radio receiver with headphones reproduction, made with TDA7088T is shown on pic.4.19. It is a receiver whose practical realization was described in the previous project, with decoder with TDA7040T and dual audio amplifier with TDA7050T blocks added, the latter was discussed in PE5.
* L3, L4 and L5 are HF chokes that allow for the headphones cable to be used as a reception antenna. This is accomplished by connecting one of the headphones’ contacts from the plug-in, over the 10 pF capacitor, to the point where, acc. to pic.4.14, the outside antenna is connected. The coils represent big resistance to the station signals, preventing them to “go to ground” over the 47 mF capacitor or over the TDA7050T output. Each coil has 3 quirks of the 0.2 mm CuL wire, threaded through ferrite pearls, as shown on detail in the right corner of the pic.4.19. If telescopic antenna is to be used, these coils should be omitted. 

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1000 Watt Mosfet Power Inverter

This power inverter circuit will provide a very stable “Square Wave” Output Voltage. Frequency of operation is determined by a pot and is normally set to 60 Hz. Various “off the shelf” transformers can be used. Or Custom wind your own for best results.

Additional MosFets can be paralleled for higher power. It is recommended to Have a “Fuse” in the Power Line and to always have a “Load connected”, while power is being applied. The Fuse should be rated at 32 volts and should be aproximately 10 Amps per 100 watts of output. The Power leads must be heavy enough wire to handle this High Current Draw! appropriate Heat Sinks Should be used on the RFP50N06 Fets. These Fets are rated at 50 Amps and 60 Volts. Other types of Mosfets can be substituted if you wish.

There ARE Limitations! I have had numerous requests for an Inverter for 1000 watts and Even MORE. Sorry I Don’t feel this is Practical. At 1000 Watts and operating from a 12 Volt Source, the Input Current will be close to 100 AMPS. That would Require a HUGH Size of a Primary Wire.

Mosfet

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10W Audio Amplifier With Bass Boost circuit and explanation

High Quality, very simple design, No preamplifier required

This design is based on the 18 Watt Audio Amplifier, and was developed mainly to satisfy the requests of correspondents unable to locate the TLE2141C chip. It uses the widespread NE5532 Dual IC but, obviously, its power output will be comprised in the 9.5 – 11.5W range, as the supply rails cannot exceed ±18V. As amplifiers of this kind are frequently used to drive small loudspeaker cabinets, the bass frequency range is rather sacrificed. Therefore a bass-boost control was inserted in the feedback loopof the amplifier, in order to overcome this problem without quality losses. The bass lift curve can reach a maximum of +16.4dB @ 50Hz. In any case, even when the bass control is rotated fully counterclockwise, the amplifier frequency response shows a gentle raising curve: +0.8dB @ 400Hz, +4.7dB @ 100Hz and +6dB @ 50Hz (referred to 1KHz).

Amplifier with Bass-Boost:10W

10W Bass Boost Amplifier Circuit Diagram

Parts:

P1_________________22K Log.Potentiometer (Dual-gang for stereo)
P2________________100K Log.Potentiometer (Dual-gang for stereo)
R1________________820R 1/4W Resistor
R2,R4,R8____________4K7 1/4W Resistors
R3________________500R 1/2W Trimmer Cermet
R5_________________82K 1/4W Resistor
R6,R7______________47K 1/4W Resistors
R9_________________10R 1/2W Resistor
R10__________________R22 4W Resistor (wirewound)
C1,C8_____________470nF 63V Polyester Capacitor
C2,C5_____________100µF 25V Electrolytic Capacitors
C3,C4_____________470µF 25V Electrolytic Capacitors
C6_________________47pF 63V Ceramic or Polystyrene Capacitor
C7_________________10nF 63V Polyester Capacitor
C9________________100nF 63V Polyester Capacitor
D1______________1N4148 75V 150mA Diode
IC1_____________NE5532 Low noise Dual Op-amp
Q1_______________BC547B 45V 100mA NPN Transistor
Q2_______________BC557B 45V 100mA PNP Transistor
Q3_______________TIP42A 60V 6A PNP Transistor
Q4_______________TIP41A 60V 6A NPN Transistor
J1__________________RCA audio input socket

Power Supply :Power

Power Supply Circuit Diagram

Power supply parts:

R11_________________1K5 1/4W Resistor
C10,C11__________4700µF 25V Electrolytic Capacitors
D2________________100V 4A Diode bridge
D3________________5mm. Red LED
T1________________220V Primary, 12 + 12V Secondary 24-30VA Mains transformer
PL1_______________Male Mains plug
SW1_______________SPST Mains switch

Notes:

  • Can be directly connected to CD players, tuners and tape recorders.
  • Schematic shows left channel only, but C3, C4, IC1 and the power supply are common to both channels.
  • Numbers in parentheses show IC1 right channel pin connections.
  • A log type for P2 will ensure a more linear regulation of bass-boost.
  • Do not exceed 18 + 18V supply.
  • Q3 and Q4 must be mounted on heatsink.
  • D1 must be in thermal contact with Q1.
  • Quiescent current (best measured with an Avo-meter in series with Q3 Emitter) is not critical.
  • Set the volume control to the minimum and R3 to its minimum resistance.
  • Power-on the circuit and adjust R3 to read a current drawing of about 20 to 25mA.
  • Wait about 15 minutes, watch if the current is varying and readjust if necessary.
  • A correct grounding is very important to eliminate hum and ground loops. Connect to the same point the ground sides of J1, P1, C2, C3 &C4. Connect C9 to the output ground.
  • Then connect separately the input and output grounds to the power supply ground.

Technical data:
Output power:
10 Watt RMS into 8 Ohm (1KHz sinewave)
Sensitivity:
115 to 180mV input for 10W output (depending on P2 control position)
Frequency response:
See Comments above
Total harmonic distortion @ 1KHz:
0.1W 0.009% 1W 0.004% 10W 0.005%
Total harmonic distortion @ 100Hz:
0.1W 0.009% 1W 0.007% 10W 0.012%
Total harmonic distortion @ 10KHz:
0.1W 0.056% 1W 0.01% 10W 0.018%
Total harmonic distortion @ 100Hz and full boost:
1W 0.015% 10W 0.03%
Max. bass-boost referred to 1KHz:
400Hz = +5dB; 200Hz = +7.3dB; 100Hz = +12dB; 50Hz = +16.4dB; 30Hz = +13.3dB
Unconditionally stable on capacitive loads

Elektor 303 Circuit
Practical Arduino
Elektor05-2010
Elektor05-2010
Elektor05-2010
Nuts Volts 06-2010
Nuts Volts 06-2010
Here continue read..

Monday, September 22, 2014

Push Bike Light circuit and explanation

Automatic switch-on when it gets dark, 6V or 3V battery operation

This design was primarily intended to allow automatic switch-on of push-bike lights when it gets dark. Obviously, it can be used for any other purpose involving one or more lamps to be switched on and off depending of light intensity. Power can be supplied by any type of battery suitable to be fitted in your bike and having a voltage in the 3 to 6 Volts range. The Photo resistor R1 should be fitted into the box containing the completecircuit, but a hole should be made in a convenient side of the box to allow the light hitting the sensor. Trim R2 until the desired switching threshold is reached. The setup will require some experimenting, but it should not be difficult.

Circuit diagram:Push-Bike

Push-Bike Light Circuit Diagram

Parts:

R1_____________Photo resistor (any type)
R2______________22K 1/2W Trimmer Cermet or Carbon type
R3_______________1K 1/4W Resistor
R4_______________2K7 1/4W Resistor
R5_____________330R 1/4W Resistor (See Notes)
R6_______________1R5 1W Resistor (See Notes)
D1____________1N4148 75V 150mA Diode
Q1_____________BC547 45V 200mA NPN Transistor
Q2_____________BD438 45V 4A PNP Transistor
LP1____________Filament Lamp(s) (See Notes)
SW1_____________SPST Toggle or Slider Switch
B1______________6V or 3V Battery (See Notes)

Notes:

  • In this circuit, the maximum current and voltage delivered to the lamp(s) are limited mainly by R6 (that can’t be omitted if a clean and reliable switching is expected). Therefore, the Ohm’s Law must be used to calculate the best voltage and current valuesof the bulbs.
  • For example: at 6V supply, one or more 6V bulbs having a total current drawing of 500mA can be used, but for a total current drawing of 1A, 4.5V bulbs must be chosen, as the voltage drop across R6 will become 1.5V. In this case, R6 should be a 2W type.
  • At 3V supply, R6 value can be lowered to 1 or 0.5 Ohm and the operating voltage of the bulbs should be chosen accordingly, by applying the Ohm’s Law.
  • Example: Supply voltage = 3V, R6 = 1R, total current drawing 600mA. Choose 2.2V bulbs as the voltage drop caused by R6 will be 0.6V.
  • At 3V supply, R5 value must be changed to 100R.
  • Stand-by current is less than 500µA, provided R2 value after trimming is set at about 5K or higher: therefore, the power switch SW1 can be omitted. If R2 value is set below 5K the stand-by current will increase substantially.
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VHF FM Receiver TDA7000 88 108 MHz

VHF FM Receiver TDA7000 88 108 MHz

Here is a very simple VHF FM receiver which is little more than a single IC and a "slack handfull" of capacitors. Note that an external amplifier is a really necessity since the unit only delivers about 70mV of AF.
See High Power FM Wireless Microphone transmitters, probably because it is so simple too.



The 10K resistor (*) is only required if you want the receiver to mute (squelch) under no-signal conditions. You could add a 100K in series with this resistor to get an adjustable squelch. This circuit will JUST drive a crystal earphone or high impedance headphones directly, but an output isolating capacitor (100nF) is needed for any other device. L1 is 6 turns No 18 SWG enamelled wire on a 5mm former, but you may have to play with the values a bit. I used a coil fabricated on the PCB itself, tuned with a trimmer capacitor.



All the other components are just a bunch of capacitors which are fitted to the board at the other side of the chip, just to make it look a bit prettier.



As you can see, this receiver is VERY sensitive, small and seems to work very well indeed. It is in fact a full superhet receiver with a very low RC tuned IF. The Image signal is rejected by the action of the AFC which functions to push it away. With suitable antennas and terrain, with this receiver you could easily get the full 500 meters from the FM wireless microphone v5. I am offering this receiver in kit form, including solder, antenna wire etc. All you will need to provide is the battery, tools and soldering iron. Here is the kit version fully assembled.





The total size is 45mm x 48mm. If there is any interest in the kit then I may even add an AF amplifier kit so that you can make a full bedside/table radio.

Source: TDA7000 RX
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Sunday, September 21, 2014

How to make really really good homemade PCBs

from: Mikes Electric Stuff

Note - this article is original material. There is currently a plagiarised copy of it on the site of an Indian electronics magazine credited to a rip-off artist called Indrani Bose.

This page is a guide to producing consistently high quality PCBs quickly and efficiently, particularly for professional prototyping of production boards. Unlike most other PCB homebrew guides, emphasis is placed on quality, speed and repeatability rather than minimum materials cost, although the time saved by getting good PCBs every time usually saves money in the long run - even for the hobbyist, the cost of ruined PCB laminates can soon mount up!

With the methods described, you can produce repeatably good single and double-sided PCBs for through-hole and surface mount designs with track densities of 40-50 tracks per inch and 0.5mm SMD pitches.

This information has been condensed from over 20 years experience of making PCBs, mostly as prototypes of boards to be put into production. If you follow the methods outlined here exactly, you WILL get excellent quality PCBs every time. By all means experiment, but remember that cutting corners can easily reduce quality & waste time.

I will only consider photographic methods in depth - other methods such as transfers, plotting on copper and the various iron-on toner transfer systems are not really suited for fast, repeatable use. Although Ive heard some good reports from some toner transfer systems, the problem with these is that the expensive part is the film, and you cant really feed much less than an A5 sheet through a laser printer, so you waste a lot on small PCBs. With photoresist laminate and cheap transparency media, you only use as much of the expensive part (the board) as you need, and offcuts can usually be used later for smaller boards. Double-sided PCBs are also rather tricky with toner-transfer methods.

Artwork generation

You need to generate a positive (i.e. black = coppper) UV translucent artwork film Youll never get a good board without good artwork, so it is important to get the best possible quality at this stage.The most important thing is to get a clear sharp image with a very solid opaque black.

Nowadays, artwork will almost always be drawn using either a dedicated PCB CAD program, or a suitable drawing / graphics package. The merits of various software packages will not be discussed here, other than to say that it is absolutely essential that your PCB software prints holes in the middle of pads, to act as centre-marks when drilling. It is virtually impossible to accurately hand-drill boards without these holes. If youre looking to buy PCB software at any cost level, and want to be able to do hand-prototyping of boards before production, check that this facility is available. If youre using a general purpose CAD or graphic package, define pads as either a grouped object containing a black filled circle with a smaller concentric white filled circle on top of it, or as an unfilled circle with a thick black line style (i.e. a black ring).

When defining pad and line shapes, the following minimum sizes are recommended for reliable results:

mitre.gifVias (through-linking holes) : 50 mil ( 1 mil = 1/1000th of an inch, 50 mil = 0.05"), assuming 0.8mm drill size (but stick to 65 mil if you can to make drilling accuracy less critical). You can can go smaller with smaller drill sizes, but through-linking will be harder. Pads for normal components and DIL ICs : 65 mil round or square pads, with 0.8mm hole. These will allow a 12.5 mil track to pass between pins. Normal minimum line width 12.5 mil, down to 10 mil if you really need to. Centre to centre spacing of 12.5 mil tracks : 25 mil - slightly less may be possible if your printer can manage it. Take care to preserve the correct diagonal track-to-track spacing on mitred corners (pictured right, grid is 25 mil, track width 12.5 mil).

The artwork must be printed such that the printed side will be in contact with the PCB surface when UV exposing, to avoid blurred edges. In practice this means that if you design the board as seen from the component side, the bottom (solder side) layer should be printed the correct way round, and the top side of a double-sided board must be printed mirrored.

Artwork quality is very dependant on both the output device and the media used, both of which will now be discussed.

Media

Contrary to what you may think, it is NOT necessary to use a transparent artwork medium - as long as it is reasonably translucent to UV, its fine - less translucent materials may need a slightly longer exposure time. Line definition, black opaqueness and toner/ink retention are much more important. Possible print media include the following:

Clear acetate OHP transparencies - these may seem like the most obvious candidate, but are expensive, tend to crinkle or distort from laser printer heating, and toner/ink can crack off or get scratched very easily. NOT recommended.

Polyester drafting film is good but expensive, the rough surface holds ink or toner well, and it has good dimensional stability. If used in a laser printer, use the thickest stuff you can get, as the thinner film tends to crinkle too much due to the fusing heat. Even thick film can distort slightly with some laser printers. Not especially recommended, but adequate.

...and the winner is....

Tracing paper Get the thickest you can find - at least 90gsm (thinner stuff can crinkle), 120gsm is even better but harder to find. Its cheap, easily available from office or art suppliers (usually in pads the same size as normal paper sizes), has good enough UV translucency and is nearly as good as drafting film for toner retention, and stays flatter under laser-printer heat than polyester or acetate film. The stuff I use is a "Gateway Tracing", 90GSM A4 pad made by Royal Sovereign, code RS442715. Viking Direct order code Q29-RG1059

Output devices

Pen plotters - very fiddly and slow, you have to use expensive polyester drafting film (tracing paper is no good as ink flows along the fibres) and you need special inks and expensive ink pens with grooved tips to get acceptable results. Pens need frequent cleaning and clog very easily. NOT Recommended.

Ink-jet printers - Not tried them myself, but I hear very mixed reports from "perfect" to "useless"! The main problem will be getting an opaque enough black. They are so cheap that its certainly worth a try, and with as many different media types as you can find, but dont expect the same quality you can get from lasers. It may also be worth trying an inkjet print onto paper, which can then be photocopied onto tracing paper with a good quality photocopier. I have had good reports from several people using tracing paper with HP Deskjets, but my Epson Stylus Photo750 inkjet is useless on tracing paper. Thanks to Douglas Makhija for the following info on using HP inkjets with tracing paper:

If you plot largish ground planes directly from inkjet, both 90gsm and 112gsm tracing papers crinkle slightly in these areas (the 90 more than the 112). I find that the best procedure is to allow the inkjet plot to dry thoroughly (on an HP Deskjet 670C or 895CXi set to normal - best print quality is not necessary) and then flatten out the plot under a clean sheet of paper placed under a big heavy book - I use A4 tracing paper that I get in pad form from my local artist materials shop. I find that thoroughly dried and flattened plots are perfectly re-usable.With either HP Deskjet (670C or 895CXi), I can consistently obtain 0.005 inch exposed and developed resolution.

Typesetters - for the best quality artwork, generate a Postscript or PDF file and take it to a DTP or typesetting service, and ask them to produce a positive film of it. This will usually have a resolution of at least 2400DPI, absolutely opaque black and perfect sharpness. The cost is usually per page regardless of area used (UK£5 for A4 last time I did one), so if you can fit multiple copies of the PCB, or both sides onto one sheet, youll save money. This is also a good way to do the occasional large PCB that wont fit your laser printer - sizes up to A3+ are widely available, and larger ones can also be done by more specialised services. Also a useful alternative for the highest-resolution boards that wont quite make it with other methods.

Typeset artworks are good enough for production PCBs, but most PCB houses nowadays only accept gerber data, as its easier for them to post-process for step & repeat etc.

Laser printers - easily the best all-round solution. Very affordable, fast and good quality. The printer used must have at least 600dpi resolution for all but the simplest PCBs, as you will usually be working in multiples of 0.025" (40 tracks per inch). 300DPI does not divide into 40, 600DPI does, so you get consistent spacing and linewidth.

It is very important that the printer produces a good solid black with no toner pinholes (pinholes in larger fill areas are acceptable). If youre planning to buy a printer for PCB use, do some test prints on tracing paper to check the quality first. If the printer has a density control, set it to blackest. Even the best laser printers dont generally cover large areas (e.g. ground planes) well, but this isnt usually a problem as long as fine tracks are solid. Note that the blackness of the printing on paper doesnt always mean a good opaque result on tracing paper so always check with tracing paper if youre buying a printer for PCB work.

When using tracing paper or drafting film, always use manual paper feed, and set the straightest possible paper output path, to keep the artwork as flat as possible and minimise jamming. For small PCBs, remember you can usually save paper by cutting the sheet in half (e.g. cut A4 to A5) , you may need to specify a vertical offset in your PCB software to make it print on the right part of the page.

Some laser printers have poor dimensional accuracy, which can cause problems for large PCBs, but as long as any error is linear (e.g. does not vary across the page), it can be compensated by scaling the printout in software. The only time that print accuracy is likely to be a noticeable problem is when it causes misalignment of the sides on double-sided PCBs - this can usually be avoided by careful arrangement of the plots on the page to ensure the error is the same on both layers, for example choosing whether to mirror horizontally or vertically when reversing the top-side artwork.

I use a Lexmark Optra R+ which does 1200DPI, although I only use this resolution for really fine surface mount stuff - 600DPI is usually good enough, and also feeds faster so heat distortion is reduced. When manually feeding tracing paper in this printer, you must crease the leading edge slightly downwards to avoid jamming.

Photoresist PCB laminates

Always use good quality pre-coated positive photoresist fibreglass (FR4) board. Check carefully for scratches in the protective covering, and on the surface after peeling off the covering. You dont need darkroom or subdued lighting when handling boards, as long as you avoid direct sunlight, minimuse unnecessary light exposure, and develop immediately after UV exposure.

Ive always used Microtrak from Mega (formerly Instagraphic) board (SS eurocard Mega order code 03-5108-1) - it develops really quickly, gives excellent resolution, and is available in thin (0.8mm) and heavy-copper flavours. It is also available from Farnell (SS eurocard order code 320-4911), but its much cheaper direct from Mega.



Ive never had any luck using spray-on photoresist, as you always get dust settling on the wet resist, and coating thickness is both critical and very hard to get even. I wouldnt recommend it unless you have access to a very clean area or drying oven, or only want to make low-resolution PCBs. Even then you probably dont really want to bother with it - lifes too short to faff about coating your own laminate.

Exposure

The photoresist board needs to be exposed to ultra-violet light through the artwork, using a UV exposure box.

UV exposure units can easily be made using standard fluorescent lamp ballasts and UV tubes. For small PCBs, two or four 8 watt 12" tubes will be adequate, for larger (A3) units, four 15" 15 watt tubes are ideal. To determine the tube to glass spacing, place a sheet of tracing paper on the glass and adjust the distance to get the most even light level over the surface of the paper. Even illumination is a lot easier to obtain with 4-tube units. The UV tubes you need are those sold either as replacements for UV exposure units or insect killers. Ive heard reports that black light tubes for disco lighting etc. dont work very well (these have a black or dark purple appearance when off).

The tubes you want look white when off (just like normal white lamps), and light up with a light purple, which makes flourescent paper etc. glow brightly. DO NOT use short-wave UV lamps like EPROM eraser tubes or germicidal lamps, which have clear glass - these emit short-wave UV which can cause eye and skin damage, and are not suitable for PCB exposure. Mega in the UK do cheap UV bulbs as replacements for their UV boxes. RS also stock a wide range of UV tubes, including U shaped ones - search for insect killer on their site. Electrical suppliers like TLC also sell UV insect-killer tubes.

A timer which switches off the UV lamps automatically is essential, and should allow exposure times from 2 to 10 minutes in 30 second increments. It is very useful if the timer has an audible indication (e.g. goes ping) when the timing period has completed. A mechanical or electronic timer from a scrap microwave oven would be ideal.

Dead scanners make ideal cases for homemade UV boxes, but make sure the case is deep enough - a nice old clunky one, not a modern slimline thing ( unless you dont mind using a lot of tubes to get even illumination). Although it is probably possible to make a UV box with UV LEDs, youd need so many to get a decent exposure area that it is almost certainly not worth even thinking about unless you happen to have a few hundred of them and nothing more interesting to use them for.

Short-term eye exposure to the correct type of UV lamp is not harmful, but can cause discomfort, especially with bigger units. Use glass sheet rather than plastic for the top of the UV unit, as it will flex less and be less prone to scratches. Normal window glass works fine.

uvbox.jpgI made up a combined unit, with switchable UV and white tubes , so it doubles as an exposure unit and a light-box for lining up double-sided artworks. If you do a lot of double-sided PCBs, it may be worth making a double-sided exposure unit, where the PCB can be sandwiched between two light sources to expose both sides simultaneously.

You will need to experiment to find the required exposure time for a particular UV unit and laminate type - expose a test piece in 30 second increments from 2 to 8 minutes, develop and use the time which gave the best image. Generally speaking, overexposure is better than underexposure. (its easier to add the odd wire-bridge than hack off a load of unwanted copper with a Dremel or deal with lots of hairline shorts on fine-pitch tracking)

For a single-sided PCB, place the artwork, toner side up, on the UV box glass, peel off the protective film from the laminate, and place it sensitive side down on top of the artwork. The laminate must be pressed firmly down to ensure good contact all over the artwork, and this can be done either by placing weights on the back of the laminate (I use a few dead gel-cell lead-acid batteries for this), or by fitting the UV box with a hinged lid lined with foam rubber, which can be used to clamp the PCB and artwork. If you are using an old Scanner as a case, the lid will of course already be there.

To expose double-sided PCBs, print the solder side artwork as normal, and the component side mirrored. Place the two sheets together with the toner sides facing each other, and carefully line them up, checking all over the board area for correct alignment, using the holes in the pads as a guide. A light box is very handy here, but it can be done with daylight by holding the sheets on the surface of a window. If printing errors have caused slight mis-registration, align the sheets to avarage the error across the whole PCB, to avoid breaking pad edges or tracks when drilling. When they are correctly aligned, staple the sheets together on two opposite sides (3 sides for big PCBs), about 10mm from the edge of the board, forming a sleeve or envelope. The gap between the board edge and staples is important to stop the paper distorting at the edge. Use the smallest stapler you can find, so the thickness of the staple is not much more than that of the PCB. Expose each side in turn, covering up the top side with a reasonably light-proof soft cover when exposing the underside - rubber mouse mats are ideal for this. Be very careful when turning the board over, to avoid the laminate slipping inside the artwork envelope and ruining the alignment.

After exposure, you can usually see a feint image of the pattern in the photosensitive layer.

Developing

The main thing to say here is DO NOT USE SODIUM HYDROXIDE for developing photoresist laminates. Use of Sodium hydroxide is the primary reason people complain about poor results when trying to photo-etch PCBs.

It is completely and utterly dreadful stuff for developing PCBs - apart from its causticity, its very sensitive to both temperature and concentration, and made-up solution doesnt last long. Too weak and it doesnt develop at all, too strong and it strips all the resist off. Its almost impossible to get reliable and consistent results, especially so if making PCBs in an environment with large temperature variations (garage, shed etc), as is often the case for such messy activities as PCB making.



devbottle.jpgA much much better developer is a silicate based product, which comes as a liquid concentrate. Im told this is sodium metasilicate pentahydrate Na2SiO3*5H2O (RS-Components data sheet item 690-849 and Safety data sheet). See sources below for method for making this developer.

This stuff has huge advantages over sodium hydroxide, most importantly is is very hard to over-develop. You can leave the board in for several times the normal developing time without noticeable degredation. This also means its not temperature critical - no risk of stripping at warmer temperatures. Made-up solution also has a very long shelf-life, and lasts basically until its worn out (and even then you can just top up with more concentrate) - the concentrate lasts essentially forever.

The lack of over-developing problems allows you to make the solution up really strong for very fast developing The recommended mix is 1 part developer to 9 parts water, but I usally make it stronger to develop MicroTrak laminate in about 5-10 seconds (yes, seconds - dip, rinse and its done!) without the risk of over-development damage.

You can check for correct development by dipping the board in the ferric chloride very briefly (or dribbling a few drops onto the surface) - the exposed copper should turn dull pink almost instantly, leaving the track pattern sharply defined. If any shiny copper coloured areas remain, or the gaps between tracks are blurry, rinse and develop for a few more seconds. If the board was under-exposed, you tend to get a thin layer of resist which isnt removed by the developer. You can often remove this by gently wiping with dry paper towel (Kitchen roll, preferably non coloured/patterned!) - the dry paper towel is just abrasive enough to remove the film without damaging the resist.

You can either use a photographic developing tray or a vertical tank for developing - a tray makes it easier to see the progress of the development. You dont need a heated tray or tank unless the solution is really cold (<15°c).>

Etching

Ive always used ferric chloride etchant - its messy stuff, but easier to get and cheaper than most alternatives Ive seen. It attacks ANY metal including stainless steel, so when setting up a PCB etching area, use a plastic or ceramic sink, with plastic fittings & screws wherever possible, and seal any metal screw heads etc. with silicone-rubber sealant. If copper water pipes may get splashed or dripped-on, sleeve or cover them in plastic (heat-shrink sleeving is great if youre installing new pipes). Fume extraction is not normally required, although a cover over the tank or tray when not in use is a good idea. If there is an easy way to vent fumes outside ( e.g. a cover over the tanks) this can make the fumes less objectionable but its really not worth the hassle of setting up a powered extractor unless you have a particularly sensitive nose/throat. Power extraction is also rather problematic to do due to corrosion issues.

You should always use the hexahydrate type of ferric chloride, which is light yellow, and comes as powder or big globular granules, which should be dissolved in warm water until no more will dissolve, giving a typically muddy brown solution. Adding a teaspoon of table salt helps to make the etchant clearer (looks like very very strong tea) for easier inspection.

Anhydrous ferric chloride is sometimes encountered, which is a dark green-brown crystalline powder. Avoid this stuff if at all possible Use extreme caution, as it creates a lot of heat when dissolved - always add the powder very slowly to water, do not add water to the powder, and use gloves and safety glasses You may well find that solution made from anhydrous FeCl doesnt etch at all, if so, you need to add a small amount of hydrochloric acid and leave it for a day or two. Dont add too much acid though as it will produce very corrosive and choking fumes when warmed for etching. Sorry, I dont know what constitutes too much as its many years since I used anhydrous ferric chloride.

Always take extreme care to avoid splashing when dissolving either type of FeCl - it tends to clump together in the container due to absorbing moisture, and you often get big chunks coming out of the container & splashing into the solution. It will damage eyes and permanently stain clothing and pretty much anything else - use gloves and safety glasses and wash off any skin splashes immediately.

If youre making PCBs in a professional environment, where time is money, you really should get a heated bubble-etch tank. With fresh hot ferric chloride, a PCB will etch in well under 5 minutes, compared to up to an hour without heat or agitation. Fast etching also produces better edge quality and consistent line widths.

If you arent using a bubble tank, you need to agitate frequently to ensure even etching. Warm the etchant by putting the etching tray inside a larger tray filled with boiling water - you want the etchant to be at least 30-50ºC for sensible etch times.

Tin Plating (Dont bother...)

Update - over the last couple of years when Ive been doing a much higher proportion of SMD boards, Ive come to the conclusion that tin-plating is not really worth the hassle - just strip the resist, rub with wire-wool, and immediately coat with a flux pen.

Although you can get special stripping solutions and hand applicators, most resists can be dissolved off more easily and cleanly using methanol (methylated spirit). Hold the (rinsed and dried) PCB horizontal, and dribble few drops of methanol on the surface, tilting the PCB to allow it to run over the whole surface. Wait about 10 seconds, and wipe off with a paper towel dipped in methanol. Repeat if any resist remains.

For flux-coating, use a Chemtronics CW8200 flux pen. Ive found that the spray-on stuff is too sticky and thick - the pen is much cleaner and easier, and also very handy for general rework use.

Ive left the old section on plating below, but I dont really think its worth it except maybe in situations where you need a finish that lasts longer than the life of a typical prototype, e.g. for edge connectors or test-point pads, or for better cosmetic appearance.

Tin-plating a PCB makes it a lot easier to solder, and is pretty much essential for surface mount boards. Unless you have access to a roller-tinning machine, chemical tinning is the only option. Unfortunately, tin-plating chemicals are expensive, but the results are usually worth it.

If you dont tin-plate the board, either leave the photoresist coating on (most resists are intended to act as soldering fluxes), or spray the board with rework flux to prevent the copper oxidising. A flux pen (available from Chemtronics & Multicore) be used to coat smaller PCBs.

I use room-temperature tin plating crystals (see Sources), which produce a good finish in a few minutes. There are other tinning chemicals available, some of which require mixing with acid, or high-temperature use - Ive not tried these.

Made-up tinning solution deteriorates over time, especially in contact with air, so unless you regularly make a lot of PCBs, make up small quantities at a time (just enough to cover a PCB in the tinning tray) keep the solution in a sealed bottle (ideally one of those concertina-type bottles used for some photographic solutions to exclude air), and return it to the bottle immediately after use - a few days in an open tray and it can deteriorate badly. Also take care to avoid contamination, which can very easily render the solution useless. Thoroughly rinse and dry the PCB before tinning, keep a special tray and pair of tongs specifically for tinning (to avoid contamination), and rinse them after use. Do not top-up used solution if it stops tinning - discard it, clean & rinse the tray, and make up a fresh solution.

Ensure the temperature of the tinning solution is at least 25ºC, but not more than 40ºC - if required, either put the bottle in a hot water bath, or put the tinning tray in a bigger tray filled with hot water to warm it up. Putting a PCB in cold tinning solution will usually prevent tinning, even if the temperature is subsequently raised.

Preparation is important for a good tinned finish - strip the photoresist thoroughly - although you can get special stripping solutions and hand applicators, most resists can be dissolved off more easily and cleanly using methanol (methylated spirit). Hold the (rinsed and dried) PCB horizontal, and dribble few drops of methanol on the surface, tilting the PCB to allow it to run over the whole surface. Wait about 10 seconds, and wipe off with a paper towel dipped in methanol. Repeat if any resist remains.

Rub the copper surface all over with wire wool (which gives a much better finish than abrasive paper or those rubber eraser blocks) until it is bright and shiny all over, wipe with a paper towel to remove the wire wool fragments, and immediately immerse the board in the tinning solution. Take care not to touch the copper surface after cleaning, as fingermarks will impair plating.

The copper should turn a silver colour within about 30 seconds, and you should leave the board for about 5 minutes, agitating occasionally (do not use bubble agitation). For double-sided PCBs, prop the PCB at an angle to ensure the solution can get to both sides.

Rinse the board thoroughly, and rub dry with paper towel to remove any tinning crystal deposits, which can spoil the finish. If the board isnt going to be soldered for a day or two, coat it with flux, either with a rework flux spray or a flux pen.

Drilling

If youre using fibreglass (FR4) board, which you almost certainly will be, you MUST use tungsten carbide drill bits - fibreglass eats normal high-speed steel (HSS) bits very rapidly, although HSS drills are OK for odd larger sizes (>2mm) that you only use occasionally where the expense of a carbide isnt justified. Carbide drill bits are expensive, and the thin ones snap very easily. When using carbide drill bits below 1mm, you MUST use a good vertical drill stand - you WILL break drill bits very quickly without one, and at UK£2-3 a pop, a drill stand will quickly pay for itself.

Carbide drill bits are available as straight-shank (i.e. the whole bit is the diameter of the hole), or thick shank (also called turbo or reduced shank) , where a standard size (typically about 3.5mm or 1/8") shank tapers down to the hole size. I much prefer the straight-shank type for sizes below about 1mm because they break less easily, the longer thin section providing more flexibility. Straight-shank drills are also usually cheaper, but sometimes less easy to obtain.

When drilling with carbide bits, its important to hold the pcb down firmly, as the drill bit can snatch the board upwards as it breaks through, and this will usually break the drill bit if the board isnt held down.

Small drills for PCB use usually come with either a set of collets of various sizes or a 3-jaw chuck - sometimes the 3-jaw chuck is an optional extra, and is worth getting for the time it saves changing collets. For accuracy, however, 3-jaw chucks arent brilliant, and small drill sizes below 1mm quickly form grooves in the jaws, preventing good grip. Below 1mm you should use collets, and buy a few extra of the smallest ones, keeping one collet per drill size, as using a larger drill in a collet will open it out so it no longer grips smaller drills well. Some cheap drills come with plastic collets - throw them away and get metal ones.

drill.jpgYou need a good strong light on the board when drilling to ensure accuracy. I use a 12V dichroic halogen lamp (under-run at 9V to reduce brightness) mounted on a microphone gooseneck for easy positioning (shown right). It can be useful to raise the working surface about 6" above normal desk height for more comfortable viewing. Dust extraction is nice, but not essential - an occasional blow does the trick! Note that fibreglass dust & drill swarf is very abrasive and also irritating to the skin.

A foot-pedal control to switch the drill off and on is a very useful addiiton, especially when frequently changing bits.

Typical hole sizes : ICs, resistors etc. 0.8mm. Larger diodes (1N4001 etc.), square-pin headers, D connectors, IDC connectors, TO-220 leads etc. : 1.0mm, terminal blocks, trimmers etc. 1.2 to 1.5mm. Avoid hole sizes less than 0.8mm unless you really need them. Always keep at least two spare 0.8mm drill bits, as they always break just when you need a PCB really urgently. 1.0mm and larger are more resilient, but one spare is always a good idea.

When making two identical boards, it is possible to drill them both together to save time. To do this, carefully drill an 0.8mm hole in the pad nearest each corner of each of the two boards, taking care to get the centre as accurate as possible. For larger boards, drill a hole near the centre of each side as well. Lay the boards on top of each other, and insert an 0.8mm track pin (pictured below, under Through Plating) in 2 opposite corners, using the pins as pegs to line the PCBs up. Squeeze (with pliers or a vice ) or hammer the pins into the boards, and then insert and squeeze pins into the remaining holes. The two PCBs will now have been nailed together accurately, and can be drilled together. Standard track pins are just the right length to fix standard 1.6mm PCBs together without potruding below the bottom board.

On PCBs with several hole sizes, Id suggest drilling the larger sizes first, as this reduces the chance of accidentally under-drilling a hole - something you typically only notice when the PCB is half-assembled, making it awkward to re-drill.

00110002.JPGFor occasions like this, and other occasional odd sizes, Id highly reccommend getting a micro hand-reamer This one covers sizes 1 to 5mm, made by G&J Hall (Sheffield UK), part no. GB40, available from Farnell Order code 107-232 and Rapid Electronics order code 85-0425

For hole sizes over about 3mm, Id recommend pilot-drilling at 1.0mm, then drilling to size with a conventional electric drill (preferably a cordless one with speed control) and standard HSS drill bit.

Cutting

shear.jpgIf you do any serious amount of PCB work, a small guillotine (cost about £150) is very useful, as its by far the easiest way to cut fibreglass laminate Mega Electronics (see sources) do a very nice one. Ordinary saws (bandsaws, jigsaws, hacksaws) will be blunted quickly unless they are carbide tipped, and the dust can cause skin irritation. Although tempting if avaliable, I would particularly advise against using a bandsaw as it will not only wreck the expensive blade quickly, the inevitable fibreglass dust is likely to do long-term damage to bearings etc.

If using a hacksaw, use a long-frame type i.e. not junior) with adjsutable tension, and a medium or fine metal-cutting blade, with plenty of tension ( as tight as you can without snapping the blade). Clamp the PCB firmly, using a strip of wood to clamp the entire length of the board, close to the cut, with thin cardboard on each side of the board to avoid scratching the photoresist. Keep the saw blade angle as shallow as possible - this keeps the cut nice and straight.

A carbide tile-saw blade in a jigsaw might be worth a try, but bear in mind its easy to accidentally scratch through the protective film when sawing, causing photoresist scratches and broken tracks on the finished board - if using a jigsaw Id suggest adding a layer of parcel tape to increase protection .

If you have access to a sheet-metal guillotine, this is also excellent for cutting boards, providing the blade is fairly sharp.

wpeA8.jpgTo make cut-outs, drill a series of small holes, punch out the blank and file to size. Alternatively use a fretsaw or small hacksaw, but be prepared to replace blades often. With practice its possible to do corner cutouts with a guillotine but you have to be very careful not to over-cut!

A cheap nibbling tool like This one (pictured right) is very useful for making cutouts and shaping the board edge.

If you use a saw to cut the board, take care to ensure the edges are square, as burrs on the board will raise it enough from the artwork for the UV light to get between the artwork and the board Check for burrs again once you have removed the backing sheet just before exposure.

Through-plating

dipskt.jpgWhen laying out double-sided boards, give some thought to how top connections will be made. Some components (e.g. resistors, unsocketed ICs) are much easier to top-solder than others (e.g. radial capacitors), so where there is a choice, make the top connection to the easier component. For socketed ICs, use turned-pin sockets, preferably the type with a thick pin section under the socket body. Lift the socket slightly off the board, and solder a couple of pins on the solder side to tack it in place, and adjust so the socket is straight.. Solder all the solder side pins, then solder the required top-side pins by reheating the joint on the solder side, while applying solder to the pin and track on the component side, waiting until the solder has flowed all round the pin before removing the heat (pictured right). On dense boards, think carefully about the best order in which to insert sockets to make access to top-side pins easier. When you have finished assembling the PCB, double-check that you have top-soldered all the required top pads, as unsoldered top-side pins can cause intermittent contact and be very hard to track down.

Then when you cant get the board working, check again for top-side pins you forgot to solder - theres always at least one..!

pins.jpgFor vias (holes which link the two sides, without component pins in them), use 0.8mm snap-off linking pins (shown right), available from manyelectronics suppliers. (See Sources) These are much quicker than using pieces of wire. Just insert the bottom of the stick into the hole, bend over to snap off the bottom pin, repeat for other holes, then solder both sides. Outside the UK, they can be ordered direct from Harwin, and sample packs can be ordered from their website. Harwin part no. T1559-01, Farnell 114-3874/114-3879 (500/1000) RS 654-1276.



bail.jpgIf you need proper through-plated holes, for example to connect to inaccessible top-side pins, or for underneath surface mount devices (linking pins stick out too much for use here), Multicores "Copperset" system works well, but the kit is very expensive (£190). It uses bail bars (pictured right), which consist of a rod of solder, with a copper/tin sleeve plated on the outside. The sleeve is scored at 1.6mm intervals, corresponding to the PCB thickness. The bar is inserted into the hole using a special applicator, and bent over to snap off the single bail in the hole. It is then punched with a modified automatic centre-punch, which causes the solder to splay over the ends of the plated sleeve, and also pushes the sleeve against the side of the hole. The pads are soldered each side to join the sleeve to the pads, and then the solder is removed with braid or a solder sucker to leave a clear plated hole.

pentip.jpgFortunately, it is possible to use this system for plating standard 0.8mm holes without buying the full kit. You can buy the bail bars seperately as refills (£24 for 500). For the applicator, use a 0.9mm automatic pencil, (the type which has a tip like the one pictured right, e.g. Berol PCL2000), which actually works much better than the original applicator, as you get one bail for every press of the button, and it has a metal nose instead of the original plastic one. Get a small automatic centre-punch, and grind the tip off so its completely flat - this works fine for punching the bails. For an anvil, use a thick flat piece of metal - the back of a large heatsink is perfect for this - plate all the holes before fitting any components so the bottom surface is completely flat. Holes must be drilled with a sharp 0.85mm carbide drill to get the hole size right for the plating process..

Note that if your PCB package draws pad holes the same size as the drill size, the pad hole can come out slightly larger than the drilled hole (e.g. from over-etching or non-centred drilling), causing connection problems with the plating. Ideally, the pad holes should be about 0.5mm (regardless of drill size) to make an accurate centre mark. I usually set the hole sizes to exactly half the drill size, so I know what the real sizes should be when sending NC drill data for production PCBs

Update April 2007- Copperset system mentioned above appears to be out of production (possibly a victim of all this lead-free nonsense), but above section left here as replacement bail bars are still available from Farnell, order codes 463-929 and

463-942, for 0.8mm and 1.2mm respectively.

On a recent trip to Japan, I saw a similar system from Sunyahato, but I dont know of any distributors outside Japan.

Through-plating using RivetswpeE1.jpgwpe95.jpg

This riveting system is another way to do through-plating on dense PCBs. The rivets can be used quite easily on their own without the punch tool, just a pair of fine tweezers (and a steady hand...).

The 0.4mm rivets (pictured) fit a 0.6mm hole and so can be used on quite dense groups of 0.05" pad dia vias.

Recommended equipment

Three-tank unit comprising heated bubble etch, spray wash and developer tank. As a bare minimum, a bubble-etch tank and some way of rinsing boards. Photographic developing trays are adequate for developing and tinning.

Different sized photographic developing trays for tinning.

PCB guillotine or small sheet-metal guillotine. A Jigsaw is an alternative but you will get through baldes quickly - use medium to fine metal-cutting blades and use paper or card between the shoe-plate and the board to prevent the edge of the show damaging the resist.

PCB drill - precision drill with metal collets and good quality stand. A foot pedal on/off control is a very useful addition.

If running water is not available, get a hand-held spray bottle (as sold for garden insect sprays etc.) for rinsing PCBs.

Sources

Developer :

Thanks to Robin Moorshead for the following procedure to make silicate developer solution:

Take 200cc of "water glass", add 800cc of distilled water and stir. To this add 400g of sodium hydroxide (caustic soda).

Important safety precautions: The sodium hydroxide solid must NEVER be handled, use disposable gloves. When the sodium hydroxide dissolves in water it produces a great deal of heat so it must be added a little at a time and each portion allowed to dissolve before more is added. If the solution becomes very hot leave it to cool before adding more sodium hydroxide.

The solution is VERY caustic and it is particularly damaging to the eyes, use eye protection when making and handling it.

It also ruins clothing. Water glass is also known as "sodium silicate solution" and "egg preserver", It used in fire proofing fabrics, for waterproofing walls and making "chemical gardens". Caustic soda is used for clearing drains and available from any chemist. The solution cannot be made by dissolving solid sodium silicate.

This solution will be the same strength as the concentrate, and so will need diluting - about 1 part concentrate to 4 to 8 parts water, depending on the photoresist used and temperature.

UK

Mega Electronics, Cambridge UK 01223 893900.

Very comprehensive range of all PCB production equipment and materials at good prices. Theyre very helpful & friendly, take credit card orders and charge carriage at cost. Theyre good for obscure stuff like heavy (2 Oz /70 micron) copper and 0.8" thick laminates, unusual carbide drill sizes etc. They have their own large range of processing tanks, drills, plating lines etc. They stock the silicate based developer and tin-plating chemicals mentioned above. Unusual laminates (thin, heavy copper etc.) are sold as large sheets but they will cut them down to sensible sized panels free on request (but phone them as they sometimes miss cutting instructions in the comments field on the web order form, as I found when a slightly bemused Post Office driver turned up carrying a huge sheet of 0.8mm laminate...), and they may be willing to sell smaller offcuts if you only want smaller amounts. The also do reasonably priced UV tubes as replacements for their UV boxes.

devbottle.jpgSilicate based developer - Seno 4006 (liquid concentrate, 1 litre), Mega Electronics order code 600-010

Also available in powdered form, order code 600-008 (50g, makes 1 litre), 600-007 (500g, makes 10L). I havent tried the powdered version - the catalogue mentions a limited shelf-life of made-up solution for the powder - the liquid stuff lasts indefinitely.



shear.jpgPCB Guillotine 700-400 (8") 700-500 (12")

THE tool for cutting PCBs. If you do a lot of PCBs you NEED one of these.



Rapid Electronics
They stock the silicate developer 34-0790 (1 litre concentrate), 34-0395 (20g powder to make 500ml), plus etchant, tanks etc. These are the Mega products, and so usually available cheaper direct from Mega.

Rapid are also incredibly cheap for a lot of run-of-the mill electronic components - much cheaper than RS, Farnell, Maplin etc.

GCL Supplier of bubble etch & processing tanks, UV exposure units and lightboxes.

pins.jpgSnap-off linking pins for double-sided boards, and pinning PCBs for drilling 2-up : Harwin part no. T1559-01, (Farnell 143-738) (RS 435-383) Im told they are hard to find in the US, but can be ordered direct from Harwin (boxes of 2500 for US$32.33), and sample packs (100) can be ordered free from their website by quoting the part number.

RS have some unusual photoresist PCB laminates from CIF to their range, including 70 micron (2 oz.) copper, 0.4 and 0.8mm mm thickness and PTFE (Duroid). They also have a reasonable range of general PCB materials, as well as a range of UV tubes (search for insect killer on their site)). CPC also stock some CIF lines

Holders stock a wide range of PCB materials and equipment - although they but appear to be geared towards supplying commercial PCB houses, they tell me that they are happy to supply small users and have no minimum orders for drills, routers or FR4 laminates.

ESR stock a range of PCB equipment and materials, including some cheap reground reduced-shank carbide drill bits.

http://www.fortex.co.uk/ UK supplier of PCB making equipment

TLC (bottom of page) Sell UV tubes at very good prices

CPC (UK) sell UV tubes for exposure boxes. LP01874 (8W 12") LP01875 (15W 18"). They also do U format tubes, ballasts and tube caps, as well as a range of PCB laminates etc. including some of the CIF specialist stuff like flexi.

USA

Web-Tronics

If anyone has info on good sources inside or outside the UK, please let me know & Ill add them here.

I cant be bothered with all this- where can I get small quantity PCBs made by someone..?

For prototypes, I have used PCB-Pool a lot. Quality and service has been excellent, and for 1-offs and small numbers pricing is pretty good due to lack of 1-off costs. They are rather expensive for larger numbers however.

They recently introduced a system where you can see photos of your PCBs at various stages through the production process - not sure how useful this is though..!

A number of similar pooling services have sprung up recently, but I havent used any of them so cant comment. (any feedback welcom)



Ive recently discovered a Chinese place called PCBCART - prices are excellent, and they do a lot of unusual options - thicknesses, copper weights, funky resist and silkscreen colours. Ive had 5 lots of boards from them so far (Jan 07), including one batch of 4-layer PCBs, and quality/delivery have been fine. Ive also had good feedback from another user who has had several thousand PCBs from them.

Payment options include Paypal or another Credit-card handling company (2co.com, who have MUCH better customer service and communications than Paypal!)

Remember to check the shipping costs when comparing prices (this only appears after you do add to cart), however even with these they are really cheap for all but the smallest quantities.

At 1-5 off prototype quantities of small PCBs the one-off and shipping costs make them less competitive with places like PCB-Pool, but as soon as you get into quantities of tens & up, or even less for larger boards, they are typically very competitive.

Update 20 Mar 2007 - having had good service from PCBCART, Ive had no confirmation or emails re. an order I placed recently & have heard another similar report.

Update 6 April 2007 - it seems PCBCART had some website & comms problems in March - they have since been in touch & everything appears to be back to normal.

Update 16th April 2007 - received the last lot of PCBs last week - the usual good quality (and no extra charge for 2400 holes on a 100x160mm PCB!), and Ive had an order confirmation on a new PCB, so things look all OK now and I can continue to highly reccommend them. I will update this page if this situation changes - hopefully this wont be necessary.

Update 22 Aug 07 - they still seem to have occasional trouble accepting emails, in particular replies to queries that arise. I dont know if this is a genuine email problem at their end or if they just dont reply in a sensible time if theyre too busy...!

My experience is that after ordering, you fairly quickly get a "processed" email, then around a day or two later get a second "confirmation" email with a delivery date. Once you get this second email, your PCBs WILL arrive on time - you get a third email with a DHL tracking number when dispatched (you need to take the spaces out of this number for it to work on the DHL site).

However if they email you with a query (e.g. to confirm panelisation details), everything goes on hold til they get your reply, and this is where the problem can arise - If I dont get a confirmation within 48 hrs I ususally fax them & things proceed OK. You need however to take this potential delay into account if you need PCBs urgently! For this reason, I dont specify a panellised PCBs unless I really need it!

Others I have not tried :

PCBTRAIN (They also offer online pricing for SM and TH component assembly).

Eurocircuits Reasonably good pricing, I have heard good reports second-hand. Ordering/payment process complicated - need to set up an account.

Olimex - I continue to hear mixed reports, especially about being difficult to deal with sometimes and not very flexible. Quality of the PCBs of theirs Ive seen looks fine though.

Here continue read..